Introduction to the Song
Elvis Presley, often hailed as the “King of Rock and Roll,” has a profound legacy in the world of music that transcends generations. One cannot engage with his discography without encountering the electrifying track “I Got a Woman.”
Released in 1956, this song not only showcases Presley’s immense talent but also reflects the cultural milieu of the time, bridging gospel and rhythm and blues to pave the way for the evolution of rock music.
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“I Got a Woman” serves as a seminal track that encapsulates both the musical prowess of Elvis and the transformative essence of the 1950s music scene. The song was penned by the legendary Ray Charles—who later made it famous—and it derives its roots from the gospel tradition, merging it with the burgeoning rhythm and blues genre. The song’s energetic beat and spirited vocals are underpinned by a relentless drive that captures the essence of youthful exuberance.
Elvis’s interpretation of this song is particularly notable for its vocal inflections and rhythmic delivery, which were groundbreaking for its time. Incorporating a gospel-like fervor in his performance imbues the track with an infectious energy.
The lyrics express a deep sense of affection and appreciation for a woman, conveying a heartfelt sentiment that resonates universally. The singer’s passionate proclamation ultimately invites listeners into his world, allowing them to feel the weight of love and admiration.
Hailing from Tupelo, Mississippi, and later rising to fame in Memphis, Presley became an icon, not merely due to his voice but also because of his dynamic stage presence. His ability to blend various musical styles while maintaining a unique identity contributed to his status as a pioneer in the music industry. “I Got a Woman” represents a pivotal point in his early career, demonstrating how he masterfully synthesized influences from different genres.
As with many of Presley’s early recordings, “I Got a Woman” reflects the coming together of diverse musical backgrounds, culminating in a fresh and innovative sound. This melding of genres signaled a new era in popular music that encouraged Artistic exploration and crossover appeal. The track’s enduring popularity through the decades can be attributed to its relatable lyrics and the authenticity of Presley’s raw emotion.
For those looking to delve deeper into Elvis Presley’s remarkable catalog, “I Got a Woman” stands as a testament to a time when music was on the cusp of significant change. It encapsulates not only the raw energy and challenge of a young artist at the dawn of his career but also the magic that happens when talent meets revolutionary musical forms.
The song is more than just an auditory experience; it celebrates romance, rhythm, and raw, unbridled passion—elements defining Elvis’s illustrious career. In essence, “I Got a Woman” is not just a song; it’s a cultural artifact that significantly shaped the trajectory of modern music, making it a must-listen for music lovers and historians alike.
Video
Lyrics
[Verse 1]
Well, I’ve got a woman way across town
She’s good to me, oh yeah
Say, I’ve got a woman way across town
She’s good to me, oh yeah
She gives me money when I’m in need
Yeah, she’s a kind of friend to me
I’ve got a woman way across town
She’s good to me, oh-oh yeah
[Verse 2]
She saves her loving, early in the morning
Just for me, oh yeah
She saves her loving, early in the morning
Just for me, oh yeah
She saves her loving
Just for me
Yeah, you know she loves me so tenderly
I’ve got a woman way across town
She’s good to me, oh-oh yeah
[Guitar Solo]
[Verse 3]
She’s there to love me both day and night
No groans or fusses, just treats me right
Never running in the streets, leaving me alone
She knows a woman’s place is right there, now, in her home
I’ve got a woman way across town
She’s good to me, oh-oh yeah
Say, I’ve got a woman way across town
She’s good to me, oh yeah
Well, she’s my baby, oh, don’t you understand?
And I’m her loving man
I’ve got a woman way across town
She’s good to me, oh-oh yeah
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[Outro]
Oh, don’t you know she’s all right?
She’s all right, she’s all right
I got a woman way over town
Good to me, oh yeah
