Kris Kristofferson – Don’t Cuss the Fiddle

When one hears the name Kris Kristofferson, a myriad of emotions instantly surface. He’s more than just a musician; he’s a veritable poet in the realm of country music. With a career spanning over six decades, Kristofferson has not only penned some of the most enduring songs of our time but has also made a significant impact as an actor and filmmaker.

One song that stands out in his extensive repertoire is “Don’t Cuss the Fiddle.”In the landscape of country music, Kristofferson is celebrated for his ability to capture the human experience through vivid imagery and heartfelt storytelling.

“Don’t Cuss the Fiddle,” released as part of the album “Shake Hands with the Devil” in 2006, exemplifies his honed skills as a songwriter and the deep-seated emotions that underpin his work. The track reveals the intersection of passion and struggle, a theme that reverberates throughout his discography.

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A Deep Dive into the Song’s Meaning

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“Don’t Cuss the Fiddle” is more than just a catchy tune; it’s a profound reflection on life’s complexities. The song invites listeners to embrace the trials and tribulations of existence while advocating for resilience in the face of adversity. Kristofferson, with his unique lyrical style, draws parallels between the challenges of life and the beauty of music.

The fiddle, an instrument traditionally associated with both joyous celebrations and somber memories, serves as a metaphor for life itself. Listeners can glean the importance of acceptance and humility in the face of difficult experiences.

The lyric “When the night’s too dark, don’t cuss the fiddle” compels fans to see past their immediate struggles and to appreciate the melody of life that persists through hardship. It teaches that every experience, even those that might seem negative at first, can contribute to a more profound understanding of oneself and the world.

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Kristofferson’s artistry shines through as he showcases his exceptional vocal prowess, which matches perfectly with a blend of traditional country instrumentation. The insightful use of the fiddle as a narrative device pulls the listener deeper into the story, allowing them to reflect on their trials and triumphs. It is this interweaving of personal experience and musicality that distinguishes Kristofferson as a storyteller and musician.

A Legacy Worth Celebrating

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As we delve into “Don’t Cuss the Fiddle,” it is essential to acknowledge Kris Kristofferson‘s substantial legacy. His contribution to the genres of folk, rock, and country has transformed them into a medium where profound emotions find a voice.

Kristofferson’s ability to articulate the human condition through song remains unmatched, and his body of work will undoubtedly continue to inspire future generations. Listeners are invited not just to listen but to feel the music, to reflect on their own stories, and to recognize the power of resilience found within the notes of a fiddle.

“Don’t Cuss the Fiddle” stands as a testament to the profundity and beauty that can be discovered in life’s struggles—an enduring reminder of why Kris Kristofferson remains one of the giants in the world of music.

Video

Lyrics

I scandalized my brother
While admittin’ that he sang some pretty songs (and he did)
I’d heard that he’d been scandalizing me
And, Lord, I knew that that was wrong (and I was)
Now I’m lookin’ at it over
Something cool and feelin’ fool enough to see
What I had called my brother on
Now he had every right to call on me

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Don’t ever cuss that fiddle, boy
Unless you want that fiddle out of tune
That picker there in trouble, boy
Ain’t nothin’ but another side of you
If we ever get to heaven, boys
It ain’t because we ain’t done nothin’ wrong
We’re in this gig together
So let’s settle down and steal each other’s songs

I found a wounded brother
Drinkin’ bitterly away the afternoon
And soon enough he turned on me
Like he’d done every face in that saloon
Well, we cussed him to the ground
And said he couldn’t even steal a decent song
But soon as it was spoken
We was sad enough to wish that we were wrong

Don’t ever cuss that fiddle, boy
Unless you want that fiddle out of tune
That picker there in trouble, boy
Ain’t nothin’ but another side of you
If we ever get to heaven, boys
It ain’t because we ain’t done nothin’ wrong
We’re in this gig together
So let’s settle down and steal each other’s songs

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