Elvis Presley, often referred to as the “King of Rock and Roll,” remains one of the most celebrated figures in music history. His influence on the music genre, stage performance, and popular culture is immeasurable, crafting a legacy that transcends generations.
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Among his vast discography, the track “Rubberneckin’” stands out as a significant yet sometimes overlooked gem. Originally recorded in 1964 and featured in the film “Girl Happy,” this lively number exemplifies Presley’s unique ability to merge charismatic vocal delivery with a fresh, catchy tune.
The song encapsulates Presley’s electric stage presence and the playful essence of his musical style during the 1960s. Written by the prolific songwriting duo of Bernie Wayne and Bill Giant, “Rubberneckin’” showcases elements of rhythm and blues seamlessly intertwined with rock and roll.
The term “rubberneckin’” itself colloquially suggests the act of craning one’s neck to gawk or observe, primarily used in the context of looking at accidents or other unusual occurrences. The song metaphorically represents the desire to look back at a lost love or the nostalgic memory of a past relationship.
Musical Composition and Lyric Analysis
Musically, “Rubberneckin’” is characterized by a vibrant brass section, catchy hooks, and a driving beat that invites listeners to tap their feet and sway along. The instrumentation, especially the horns, adds an upbeat dynamic that contrasts with the bittersweet theme of the lyrics. It reflects the constant push-pull of yearning for what once was while simultaneously embracing the enthusiasm of life.
Lyrically, the song explores themes of longing and curiosity. The protagonist glances back at a relationship, caught in a sort of emotional traffic jam. The lyrics evoke imagery that is both relatable and vivid, inviting listeners into the protagonist’s world of reflection.
It balances playful banter with deeper introspection, a hallmark of Presley’s lyrical prowess. His vocal delivery enhances the song’s narrative, blending sincerity with a hint of mischief.
Cultural Impact and Legacy
Though “Rubberneckin’” was not among Presley’s chart-topping hits, it experienced a revival years later when it was remixed by the electronic duo Junkie XL for the 2003 album “Elvis 30 #1 Hits.”
This remix brought Presley’s music to a new audience and introduced the King’s sound to the electronic dance music scene, showcasing the timelessness of his work. The song’s enduring appeal exemplifies the artist’s ability to connect with listeners across various demographics and eras.
Elvis Presley’s “Rubberneckin’” may not often be at the forefront of discussion surrounding his most famous tracks, but it deserves recognition for its engaging rhythm and poignant lyricism. As an emblem of Presley’s artistry, the song captures a distinct moment in his career and an essential thread in the fabric of rock and roll history.
In summary, “Rubberneckin’” represents much more than mere nostalgia; it serves as a testament to the unmatched charisma and musical genius of Elvis Presley, solidifying his status as an eternal icon in the music world.
Video
Lyrics
[Verse 1]
Stop, look and listen, baby
That’s my philosophy
It’s called rubberneckin’, baby
But that’s all right with me
Stop, look and listen, baby
That’s my philosophy
It’s called rubberneckin’, baby
But that’s all right with me
Some people say I’m wasting time
But they don’t really know
I like what I see and I see what I like
Yeah, it gives me such a glow
First thing in the morning
Last thing at night
I look, stare everywhere
And see everything in sight, hey hey hey
[Verse 2]
Stop, look and listen, baby
That’s my philosophy
It’s called rubberneckin’, baby
But that’s all right with me
See upcoming rock shows
Get tickets for your favorite artists
People say I’m wasting time
But they don’t really know
I like what I see and I see what I like
Yeah, it gives me such a glow
Sitting’ on the back porch
All by myself
Along came Mary Jane
Come with somebody else, hey hey hey
[Verse 3]
Stop, look and listen, baby
That’s my philosophy
It’s called rubberneckin’, baby
But that’s all right with me
It’s called rubberneckin’, baby
But that’s all right with me
It’s called rubberneckin’, baby
But that’s all right with me
